Kikai Sosaku-hanga
Japanese Creative Prints
Room-5

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.Yamaguchi Gen (1896-1976)
'Idle Hand'
.woodblock print .1947
(Ichimoku-shu VI) 19.3 x 16.7 cm
.printed sign and signed in pencil verso
.\100,000
.YAMAGUCHI GEN (1896-1976)
1896 Born in Fujinomiya City, Shizuoka prefecture in 1896.
1914 To assist his father in his business, he moved to Taiwan, where he met
Fujimori Shizuo.
1923 After the great eathquake that attacked the central part of Japan, he reunited
with Fujimori in the devastated Tokyo. Soon after this reunion the two paid a
visit to Onchi Koshiro, which opened Yamguchi's way into the world of hanga.
1939 Together with Sekino Jun'ichiro, he helped to support the Ichimoku-kai
hanga meeting led by Onchi.
1958 'Noh Actor' won the Grand Prix at the 5th Lugano Biennial.
He also had the honor to be the first Japanese artist to win this award.
.
Yamaguchi Gen says, 'Suppose I had not visited my family in Taiwan, I might never have
encountered. the world of hanga' (1964)

.Ueno Nagao (1904 -1974 )
'Egg and Grapes'
.woodblock print 1972
.24.0 x 33.3 cm
.5/30 signed in pencil
.\45,000

Okubo Yutaka (1924 - 2008 )
'A Road in a Fishing Village'
woodblock print 1970
53.5 x 37.8 cm
signed in pencil ed.2/50
\45,000

Okubo Yutaka
'View of a Harbor'
lithograph 21.0 x 27.0 cm 
6/10 signed in pencil
\40,000
OKUBO YUTAKA  (1924 - 2008 )
He learned from Oda Kazuma and created about 30 lithogaraphs and later
turned to woodcuts. He was president of the Japan Hanga Society for 11
years and spared no effort for the development and promotion of the world
of sosaku-hanga.

.Nakamura Ken'ichi (1895-1967 )
'Mirror'
.lithograph 1933
.23.0 x 29.0 cm
.signed K.N upper left
.sold

..NAKAMURA KEN'ICHI (1895-1967 )
1923-28 He learned art in Paris and
1931 moved from the print makers group Yofu Hanga-kai to establish
Japan Print Association.
After returning from Paris, his activities centered around such government-
sponsored exhibitions as Nitten. His ability in accurate drawing and composition
led him to establish realistic oil painting of his own devising.
The artist says; Art is a method of singing nature.

Tanabe Itaru (1886 - 1968 )
'Nude'
lithograph  1933
30.8 x 24.0 cm (sheet size)
signed in pencil I.T. and
numbered 16
\80,000
.TANABE ITARU (1886-1968 )
.He was born and bred in Kamakura with his elder brother Tanabe Hajime who
.established himself later as a philosopher.
1919 He was appointed assistant professoor of Tokyo School of the Fine Arts
and, finding by chance an old press, tried some etching works.
1920 He joined and exhibited his works for the Sosaku-hanga Association.
1922 He learned in earnest techniques for print art during his stay in Europe.
1928 He was appointed professoor of Tokyo School of the Fine Arts and was
1935 also in charge of the class for the print art.

.Suzuki Shintaro (1895-1989 )
'Still Life'
.lithograph (with hand-coloring) 1958 
.48.5 x 31.5 cm
15/30 signed in pencil
.\50,000

Ebihara Kinosuke (1904 -1970 )
'Carrying Fire'
lithograph c.1960
56.0 x 39.2 cm E.A. signed in
pencil in the lower right margin
\130,000

.Onchi Koshiro (1891-1955 )
'Composition'
.lithograph 1953 ed.12/20
.55.0 x 39.7 cm (sheet size)
.signed in pencil
.¥180,000 

.Onchi Koshiro (1891-1955 )
'Poeme Winter'
.lithograph 1953 ed.15/20 
55.0 x 39.7 cm (sheet size)
.signed in pencil
\180,000

. ONCHI KOSHIRO (1891-1955 )
In1909 when he was acquainted with Takehisa Yumeji he was deeply impressed with
both his personality and his works.
In1914, while he attended Tokyo School of Fine Arts, he started the hanga magazine
'Tsukuhae'. together with Tanaka Kyokichi and Fujimori Shizuo.
In 1918, with Yamamoto Kanae and other artists, he helped to establish the Sosaku-
hanga Association. In1929, he joined the project for publishing 'One hundred Views
of New Tokyo'
He always played a major role in the production and the promotion of Sosaku-hanga,
which duly brought him the reputation as one of the three giants in this genre of art.
In the period from1939 to1950, he held a private art circle in his house, inviting
would-be artists of hanga,.which he called 'Ichimoku Kai' because it was held every
first Thursday of the month.
Sekino Jun'ichiro, one of the early members of this circle, recalls that he proposed
special sessions for bartering hanga works among them because he wanted works by
Onchi. .Their fruitful results can be seen in 'Ichimoku Shu vol.I-VI'

We always have hundreds of other print works at our gallery which
we believe would satisfy the need of collecters as well as beginners.
Please contact us by e-mail or fax for further details.

The size given to each illustration is image size.

Each print comes in sheet (without mat or frame).

We welcome you to visit us for viewing.

We are looking for print works we deal in (especially
those by Azechi Umetaro, printed by the artist).
Please contact us.
kikai@tbj.t-com.ne.jp

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