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SASAJIMA KIHEI (1906-1993) |
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1906 |
Born in the pottery
town of Mashiko, Tochigi prefecture. |
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1936 |
He attended a course
given by Hiratsuka Un'ichi and was fascinated with |
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the world of black
and white woodblock prints. |
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1937 |
Hamada Shoji, a well-known
potter living in Mashiko,introduced him to |
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Munakata Shiko, giving
him the great oppotunity because he had always |
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admired Munakata's
works for their feeling of incredible liberty. |
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1952 |
He joined Munakata
Shiko and Shimozawa Kihachiro to form Nihon Hanga-in. |
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.TOKURIKI TOMIKICHIRO (1902 -2000) |
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1928 |
Though he learned traditional
Japanese painting under Tsuchida Bakusen, |
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he turned to print
making on encountering and being fascinated with the |
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works of Kawanish Hide
and Kawakami Sumio especilly after his master's |
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death and after attending
the courses provided by Hiratsuka Un'ichi in |
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KYoto. |
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1929 |
Among the co-attendants
were Asada Benji, Asano Takeji, Kamei Tobei, |
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Takahashi Tasaburo,
Takeda Shintaro and Nakagawa Isaku, who estab- |
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lished Kyoto Sosaku
Print Association together with him and also started |
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1931 |
a portfolio magazine
Taishu Hanga |
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.SOGAO TAKEHARU (1899-1984) |
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1915 |
Sogao learned in The
Hongo Art Institute under Nagahara Kotaro and |
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his oil painting was
exhibited at a Kofukai Exhibition. |
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C.1930 |
He started learnig
etching techniques and, after the contacts with |
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Nishida Takeo and Kon
Junzo, made efforts to spread this new medium. |
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1940 |
He was elected to attend the managing
board of The Association of |
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Japanese Etchers. |
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1960 |
He joined Japan Hanga
Association, which had been established by |
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10 members including
Munakata Shiko, Maekawa Sempan and Nagase |
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Yoshiro. |
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TAGAWA KEN (1906 -1967) |
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1906 |
Born in Nagasaki.He
moved to live in Tokyo in 1926. |
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1926 |
When acquainted with
Onchi Koshiro, he was fascinated with hanga. |
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1928 |
He entered Kawabata
School of Art and around 1932 started to make hanga. |
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1933 |
He returned to his
hometown and, in 1934, formed the group 'Hanga |
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Nagasaki no Kai (Hanga
Group in Nagasaki)' |
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1940 |
He joined the Hanga
Association. |
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1941-42 |
During this period
he lived in Shanghai and established Shanghai Hanga |
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Association and Shanghai
Studio for Hanga Art. |
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1945 |
He returned to Japan
(actually landed on a small island off the coast of |
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Kyushu after drifting
for 16 days in the East China Sea). |
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He maintained long
friendship with the poets, Horiguchi Daigaku and Kaneko |
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Mitsuharu, and illustrated
Horiguchi's translation work, 'Collected Poems |
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of Guillaume Apollinaire'
with woodblock prints. |
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Bibliography |
'Woodblock Prints of
Tagawa Ken - 12th Mansion at Higashi-yamate, Nagasaki' |
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Keishosha 1973 |
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